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visual culture and practice during NTUA (MFA)
from 2022 - 

   Patient

 《紾》

  Spring 春,2023
 

  Single-channel animation, sound
  單頻動畫,有聲
  04‘27“ 

in response to 《論真生活》

利害權衡將生命的輕重帶來新的應對,交響奏樂拖拉著呼吸的起伏,被麻醉的痛感有如剖腹產般喜悅而憮然,人工智能的查證無效於紓解失落的幽谷。
 

身體健康,幸福快樂

The balance of stakes brings new responses to the weight of life, the symphonic sonata trails the ebb and flow of breath, the pain of anaesthesia is as joyous as a caesarean section, and the verification of artificial intelligence is ineffective in relieving the valley of loss.
 

I wish you

Good health and happiness.

-

thanks to

Kobe KO, Jia-ching WU, 郭其毓醫師,王祥翰醫師,手術房醫護人員

Ivan Terrible

你。

Patient

   breathed together

 在呼吸尚存的時候》

  2023

  充氣袋子,空氣,菸煙

in response to exhibition « Une seconde d'éternité » | Bourse de Commerce

人類難以拋棄任何工具去理解時間性以及關於時間的距離,介乎在可量度過去與不可量度的未來之間,是一個靜止的片刻,而我在抽菸的時候發現了它,在吸氣與呼氣之間,在空氣交換瞬間的那一個頓點。

 

我們無法獨立地去抓住這一個頓點,它不是單獨的,需要在吸與呼都成立才能夠被發現的一個無形的時間點,將自己隔絕的片刻,只要還活著,就能繼續擁有那個片刻。

It is difficult for human beings to abandon any tool to understand temporality and the distance of time, between the measurable past and the immeasurable future, a moment of stillness, which I discovered when I smoked a cigarette, that pause between inhalation and exhalation, in the instant of the exchange of air.

 

We can't catch this moment independently, it's not separate, it's an invisible point in time that needs to be established in both inhalation and exhalation in order to be discovered, a moment that isolates itself, a moment that we can continue to have for as long as we are alive.

"Quand la fumée de tabac sent aussi de la bouche qui l’exhale, les deux odeurs s’épousent par inframince."

dedicated to Dear Kobe, to moments we breathed together

breathed tgether
IMG_1099.JPG

 

  jasmine

 《活在一口香魂裡》

  2022

  玻璃罐子,茉莉花茶葉,纖維​

展場內的那株茉莉花,敘述了茉莉與浮洲之間的姻緣,在有限的照料下,逐漸凋零的白花提醒著她曾經養 活了一整個世代,浮洲人卻不一定知道茉莉的香魂是真娘死後留給世人。

在茉莉花園末落之前,浮洲人栽種的是一個逝去女人的貞節。


我愛的真娘聰慧而美麗,守身如玉,我只想娶真娘為妻子,我是她離開青樓的救贖,妳為何以死保節......真娘啊,妳讓我愛,也讓我傷心欲絕。我在妳的墓前栽花,妳的魂魄附了在花上,讓世人記得妳淡雅質樸的美麗,而我只能活在那口香魂裡。
——王蔭祥

一罐茶包邀請觀眾帶走關於茉莉花、關於真娘的故事,故事根據民間流傳的野史,以王蔭祥(安葬真娘的人)的第一身角度出發編寫。將不確實的野史正式書寫成第一人稱獨白。

jasmine
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